Tuesday, July 15, 2014

Animated Gothic Font Download

A great animated fun design. Works really well for kid’s stuff and children’s books.

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Motherlode AOE Font Download

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Carl Sans Font Download

Design of this typography is based on hand writing by Carlos Colomina. Its design shows positive mood by its upright strokes and stimulating reading due to its variated glyph proportions. Therefore this font is ideal for children’s book and comics.

A really good alternative for Comic Sans and similar fonts. The most similar font to this one by comparing its style characteristics is Flavin.

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Toot Sweet Bistro NF Font Download

A 1928 poster for a café by German artist Karl Bauer informed the creation of this charming and expansive typeface. This font hops, bops, flip-flops and never stops, and is named after a fictitious café which offers cool jazz and fast service.

Both versions contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

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Able Font Download

The history of Able’s connection with the Harry Potter phenomenon is really up in the air. It’s a catch-22 in this business - you either promote your own work and negotiate expensive exclusive licenses, or you work with a promoter and sell your designs to anyone and everyone.

It could have been an in-house designer at Rowling’s publisher, Scholastic, or a freelancer who proposed Able for the headings and such.

The responsible party licensed it from T26, and JK Rowling’s storytelling made it a star. (I suppose it’s ironic that there’s a whole lot of unwritten history in the typography business.) More…

Able’s rise to fame really is a classic love story between reading and type design.

If the books weren’t so popular, Able might still be waiting for some Mexican fast food chain to pick it up for packaging design. The movie deal certainly made the font all the more recognizable, what with its merchandising campaign.

Popularity can also cripple a great decorative face.

It’s always being recognized as “The Harry Potter Font.” It might just have to wait a few decades for the Potter phenomenon to subside to be freed from the “Chamber of Pigeonholed Fonts.” In the meantime, I’m sure that a lot of fledgling graphic design apprentices are reading their new Potter books, being charmed by the idea of type design when they’re not turning the pages too fast to notice.

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