Thursday, August 14, 2014

The Subway Types Font Download

The idea was to create a package containing prominent tag styles of graffiti strongholds like New York, Berlin and Paris. Shik (New York), Deon (Paris) and Etan (Berlin) came together to show the typical tag styles of their respective metropolitan areas.

The fonts were digitized, spaced, kerned and programmed by Hannes von Döhren.

The Subway Types are highly equipped. Each one consists of 4 alphabets (Uppercase, Lowercase, Small Caps & Swash).

They also include ligatures and some specials like underlines and a huge range of accents for a wide language support. More…

With the OpenType technology these features can be applied easily.

For those who never used the OpenType features, we created the Std (Standard) and the SC (Small Caps) versions of the fonts.

They contain the same basic characters like the OT versions but are split in two fonts. Hence you don’t need any OpenType knowledge to use the Std and SC fonts.

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Crash Font Download

Developed at ParaType in 1995 by Alexander Tarbeev, based on Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.

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PTL Manual Extra Font Download

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Avesta Extra Bold Font Download

Avesta ExtraBoldCondensed is designed by Naghi Naghashian.

This Headline Font is developed on the basis of specific research and analysis on Arabic characters and definition of their structure.

This innovation is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility. This step was necessary after more than two hundred years of relative stagnation in Arabic font design.

Avesta supports Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages. More…

Avesta Font is available in ExtraBoldCondensed.

This font is designed to be used as advertising and newspaper headlines. Avesta design fulfills the following needs:

A Explicitly crafted for use in electronic media fulfills the demands of electronic communication.

Avesta is not based on any pre-digital typefaces. It is not a revival. Rather, its forms were created with today’s technology in mind.

B Suitability for multiple applications.

Gives the widest potential acceptability.

C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator.

Avesta’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text.

D An attractive typographic image.

Avesta was developed for multiple languages and writing conventions.

E The highest degree of geometric clarity and the necessary amount of calligraphic references.

This typeface offers a fine balance between calligraphic tradition and the contemporary sans serif aesthetic now common in Latin typography.

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Lee Ann Font Download

LeeAnn is a calligraphic font which contains additional flourishes...excellent for use on certificates, diplomas and wedding invitations as well as many other applications.

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