Commercial lettering artist Michael Clark found that italics and light classical scripts, in their many forms, were more popular for his purposes than more formal styles.
A light chancery, the fifteenth-century writing hand of the Vatican, Pouty is accompanied by a set of ligatures and alternate characters that complement a sweetly elegant cursive.
Named for his daughter Jennifer, this script offers such an opportunity.
An old wood type we picked up in London from the Fredrick Ullmer Company. It’s not marked, and we've never seen it in a catalog, so we don't know who made it.
We like it for antique-looking western posters and playbills.
We added the lowercase. We have seen it used on British music hall bills.
Like many of the Victorian decorative fonts, this one had caps only when Barnhart Bros. and Spindler brought it out. In 1990, we decided to draw a lowercase for it, making it more versatile. A good font for period typography.
A revival of the Ludwig & Mayer typeface Motor and Lichte Motor from 1930.
Motorcross Pro includes over 800 glyphs and supports 131 languages.
insigne is pleased to present new Christmas ornaments as the latest in the Blue Goblet series, a series of fonts and ornaments by artist Cory Godbey. This best-selling series has now been extended to include a new Christmas-themed member.
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They can be used in conjunction with the original Blue Goblet Ornaments and the Blue Goblet fonts, which include both a sans serif and serif member. Combine them to form interesting compositions, or insert them directly into your layout as chapter headings or illustrations.
There are over 60 of the Christmas-themed ornaments, including Christmas trees, bows, ivy and more. Check out the .pdf or the promotional graphics to see all of these great options.
“Nasser” is a Kufic modern Arabic typeface. It is suitable for books' covers, advertisement light boards, and titles in magazines and newspapers. It is very distinctive when used in black and white printout.
It decorates colored pages and makes artworks more attractive. This font comes in three different weights.
My father’s name is “Nasser”. Consequently, “Nasser” Typeface was designed for eternizing the memory of my late father.
He was the person who taught me how to like arts, literature, and languages. Besides, my first cute child is named also “Nasser.” More…
The shape of the characters' “dot”, “dots”, and “point” is innovative; a triangle with a semi-circle shape.
Its characters' modern Kufic styles give the typeface more distinction when it is used also in posters, greeting cards, covers, exhibitions' signboards and external or internal walls of malls or metro’s exits and entrances.
It can also be used in titles for Arabic news and advertisements appeared in different Arabic and foreign satellite channels.
Yum, yum, a fat sausage font including plain and highlighted letters and a Stencil style if you need to spray something on walls. No, no!
A Trash version is also included if you like dirt typefaces.
Button is a solid, chunky, font, with a bold symmetry that makes it a must for products aimed at the younger set. Its unusual letter shapes all point to “NEW TREND!”
It is the perfect choice for marketing companies targeting:
⁃ web-design and the creation of stylish buttons and menus
⁃ the music scene: CD covers, posters, music videos More…
It contains a full character set: all upper and lower case characters, punctuation, numerals and accented characters are present.
Sugarskin is a clean techno typestyle originally inspired by neon pipeworking and taken to another level towards a more readable and sleek look.
Ceebo is a friendly sans-serif, which show some aspects of a humanist and grotesque typeface. It retained more details of writing and got some forms and characteristics of an italic.
The font contains some alternative glyphs.
It also contains some ligatures and discretionary ligatures. In addition, there are adjusted figures and additional character for uppercase letters, lowercase letters and small caps, which react by OpenType-Feature.
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The regular weight is slightly thinner than other sans-serif fonts, moreover the diacritics and small glyphs were designed for small sizes by taller and more open forms.
More Office Stamps JNL is the companion font to Office Stamps JNL, and collects another twenty-six designs based on vintage ‘stock’ rubber stamps used in hundreds of offices for decades.
Compliment is a script design which is obviously based on H. Matheis' typeface designed for Ludwig & Mayer in 1965.
Ralph M. Unger redrew and digitized this font in 2004. His work is based on artwork taken from old East German font catalogs.
Perlmutter is a Hebrew and Yiddish font designed for the purpose of legibility at great distance. Included are niqqud, letters with dagesh, punctuation, sheqel sign, and aleph-lamed ligature.
Fong Shay Noon JNL is a non-traditional approach to an Oriental-styled font as there are some letter forms with curves and others with straight lines.
The name derives from a Chinese restaurant in North Miami Beach, Florida during the 1960s, which in turn took its name from a play on a Yiddish phrase.
Ponderosa is an Adobe Originals typeface designed by Kim Buker Chansler in 1990 for the Adobe Wood Type series.
Phil Martin, creator of over 400 typefaces from the late '60s through the '80s, designed Grad as a redesign of the classic Century Schoolbook for his personal use in the early '90s.
Changes both subtle and obvious have been made and many new features have been added such as small caps, old style figures, ligatures, and swash capitals.
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The supplementary fonts (Grad Alternate, Grad Sc Osf, etc.) are included for use with programs that do not yet support OpenType features. The supplementary fonts are not needed at all with OpenType-savvy programs such as Adobe Creative Suite, QuarkXPress 7, and so forth.
Patrick Griffin’s sister is a really annoying individual sometimes. Not only is she into theater, but she thinks everyone else in the universe is into it as well. So once in a while tickets to local or provincial Shakespearean plays get delivered to the mailbox or dropped off on the living room’s table.
And once in a while the tickets just cannot be “lost” or ignored. Three or four times a year, Patrick must be subjected to Olde Englishe Speake, umbrella dresses and squeezetops, featherhats and men in leggings, rhyme and treason, mortality and immorality, drama inflicted by some mama, and it never ends.
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Alas, poor Yorick! Yadda yadda boop-bop-a-loo-bop.
At least we hope so. Scary skulls, funny skulls, evil skulls, strange skulls, pixel skulls, fiery skulls, surprised skulls, happy skulls, sad skulls, cow skulls, sketched skulls, profiled skulls, light bulb skulls, cartoon skulls, techno skulls, alien skulls, expressionist skulls, pirate skulls, horned skulls, and skulls with whacky headgear.
You name it, it’s there. There’s even a disco skull there for you. We lost count at 90 skulls, but there’s a few more in there. For a complete showing of the skulls in the font, consult the image in the MyFonts gallery.
After making this font, he couldn't help but notice that her skull was a bit small compared to his. So now he takes every opportunity to remind her that the size of the cranium is relative to what it houses.
Her upcoming halloween present will be a shirt with guess-what on it.
The Sideshadow family has 4 weights, Regular, Bold, Light and Half Light (which is intermediate between Regular and Light). The distinguishing feature of the font (you don't actually need me to explain this, do you?) is the partial shadow to the side of the main character, giving it a distinct and eye-grabbing look.
The zip files contain both OTF and TTF versions of the font - install one version only.
Aristocrat: a fitting name for this font. A work of British designer Donald Stevens, this elegant script combines intricate capitals with a reserved lower case alphabet, perfect for certificates and greeting cards.
Linguine is a flowing script family with plenty of automatic ligatures, Swash initials, Small caps and Ornaments. You can easily access these features in any Opentype savvy program.
The original Franklin Gothic was designed in 1903 by Morris Fuller Benton. Franklin Gothic is named after Benjamin Franklin, America’s greatest printer.
Our Franklin Gothic Black Condensed is unique because it is designed to set properly in all display applications.
It contains all the high-end features expected in a quality OpenType Pro font.
Jacob, you love him or you hate him... either way, his handwriting rocks! LD Jacob is great for journaling, adorning scrapbook pages, or adding that final touch to your project.
This font is intended for use with simplified Chinese. It contains the GB2312 character set.
Ornaments 3 contains ornaments based on designs by Bernard Naudin for Deberny et Peignot, c. 1924; and ornaments based on designs by Oldrich Menhart, Karel Svolinsky and Jaroslav Slab for the state printing office of Czechoslovakia and Grafotechna.
The Occidental family is a geometric, sans-serif text face marked by its angular construction.
Occidental is suitable and economical enough to set large blocks of copy, but at display sizes Occidental’s inherent character takes over making it useful for headline setting as well.
The family includes four weights, each with corresponding italics (excepting Display) for a total of seven fonts.
A font that’s a sans on the outside and a serif on the inside.
Inspired by fonts like Rotis, Clarendon and a little Avant Garde, Interna has a slightly vintage feel to it.
Breathless was inspired by movie posters of the Nouvelle Vague era when Jean Seberg and Jean-Paul Belmondo were young and films where in black and white. So I named this very spiky affair after that phantastic movie of my youth A bout des souffle or like it was called in English, Breathless.
-Your breathless type designer, Gert Wiescher
Gigi’s chic, informal style features an abundance of flourishes and swirls that give it a charming and spontaneous handwritten quality. Tight curlicues on many of the letters, particularly the capitals, are reminiscent of a Parisian schoolgirl’s quill pen script.
A delightful face ideal for joyous events or for use in the fashion arena. Designed by talented American west coast designer Jill Bell.
Contra Flare is the organic design of my Contra family of fonts. It has beautiful curved endings – not serifs – that make it look like it was made out of flowers leafs. But still the font has an elegant look to it.
Enjoy!
Cabragio is a free-flowing informal font, very curvy and quite heavy. The free-flowing effect is especially apparent in the lower case letters, and this font is definitely something a bit different -- yet is highly readable and attractive.
Original and distinctive!
PixelZoo gathers over 70 animal species turned into pixels.
They are wild and domestic animals, mixing mammals, fishes and birds.
XPhyngern is a collection of pointing fingers taken from a variety of sources. Some come from the 19th century, when there were a great many used. Others are based on fingers I found in reproductions of medieval manuscripts.
If you need a interesting pointing finger, try this typeface.
