A 1990s-vintage Radiohead poster by Jermaine Rogers provided the go-by for this tight, trippy techno face. Jermaine’s design, it turns out, was an adaptation of a Ray Larabie font, Dignity of Labour.
This version cleverly combines stark geometry with Art Nouveau sensibilities to produce a kind of Digital DNA feel.
This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.
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